Monthly Archives: July 2012

Making A Ritual Oil – Part III: The Physical Oil

You’ve decided what you want your oil to do, you’ve carefully selected the essential oils and/or herbs that you’ll be using, and now you have to make your oil.
Most people make oil according to the lunar calendar, which sounds impressive, but isn’t all that hard. If you’re making an oil that increases something – money, love, success, etc. – you make it during the waxing moon. If you’re making an oil to decrease something – gossip, medical issues, a pesky neighbor’s influence, etc. – you make it during the waning moon.
Not so hard.

You’ll need some tools for your oilmaking. First, a dark glass bottle with a screw-on cap. I use amber bottlers, some people think blue is prettier (I agree, but it’s also more expensive), but I find that oils in dark bottles last longer than oils in clear bottles. You’ll need a screw-on cap rather than a cork, because most essential oils will degrade the cork material and you’ll not only have tiny bits of cork floating in your oil, but it also won’t provide an airtight seal.
Then you need pipettes. Eyedroppers work, but I prefer disposable pipettes, which can be had very reasonably on eBay for something like 20 pipettes for $2.00.
You need a clear surface to lay out your equipment. The room you’re doing this in should preferably be well-ventilated.
Also, you’ll want a pad of paper, because if this oil works for you, it’s important to have recorded the recipe so you can make it again.

When creating an oil, remember that the essential oil of the plant means it is the strongest-smelling plant essence. You’re going to be putting drops of essential oil in your bottles, not half a pipette.

First, mix your oils. Presumably, you’ve chosen the base note (strongest scent) for magical purpose and supporting notes (fainter scents) to reinforce that purpose. It may be superstition, but I always mix my oils using odd numbers of drops – 3, 5, 7, 9, etc. Put in the smallest amount of the base note that you think will give you the right scent, which may be much less than you’d thought. Note down how many drops you’re putting in. Add your secondary scents. Cap the bottle, swirl the oil around, then uncap the bottle and take a sniff. Does it work for you? Does it smell right? If not, start tinkering around until you get a mixture that smells right to you.
Add your solids – herbs, curios, minerals, resins, whatever you’d decided to put in the oil. Again, I do this in odd numbers, but that’s certainly not some kind of rule – it’s more of a personal quirk.
Finally, add your base oil. Fill the bottle almost up to the top, but don’t over fill.
Cap the bottle. Shake it. Open it again and take a whiff. Hopefully it smells right. If it doesn’t…..start over. If it smells right, put the bottle on a shelf and check it again in a few days, when the scents have had a chance to mix completely. Hopefully, it still smells right.

Clearly, this is the least exciting part of making an oil. The theoretical underpinnings are much more interesting. But as you can see, it’s not hard to mix some essential oils together with some herbs for magical purposes. It’s a lot harder to pick the right oils and the right herbs, mix them in the right proportions, and end up with something that smells the way you want it to and works the way you intend.

Looking For Oil Testers….

Whenever I’m working on a new oil, I like to test it pretty extensively before I decide to either ditch it or add it to my regular stock. One way I test the oils is by giving a few 1-dram or smaller bottles to The Occult Bookstore, so they can use them to dress candles or do work for clients. They also, on occasion, pass the whole oil bottle on to clients. Eventually, results filter back to me.

I also like to send the oils out for testing to different people who practice a variety of traditions.

The most recent oil was a Road Opener, which seems to be working out pretty well. The next oil up is a Housing Oil, which has been created at the store’s request, due to the number of people who’ve come to the store looking for something to help them rent, buy, or sell.

If you’re looking to buy a house, rent an apartment, or sell a house or condo, please contact me at info@quadrivium-supplies.com with the following info:
Name
Mailing Address
Magical Tradition

Thanks!
Edited to add: US residents only, please. I mail these at my own expense.

Administrivia

Home from vacation and ready to ship! Use “AmWitch” in your PayPal note until 07/20/12 and get a 10% refund on your order.
Feedback coming in from the testers of the new Road Opener oil and so far, it seems positive. Though it does seem to be more of a “blast your obstacles with DYNAMITE FROM SPACE” sort of an oil with very little subtlety. Maybe it depends on how you use it. At any rate, it will be available for purchase to the general public on 8/1/12 at the usual price, $10 for 2 drams. Order it before then (via email to orders@quadrivium-supplies.com) and you’ll get it for $8 per 2 drams, plus shipping. Super-secret kind-of-sale for blog readers!

Finally, if you’re in the Chicago area, please consider coming by the Music in the Street Festival in Berwyn, IL on Sunday July 22nd. Quadrivium Oils will be sold in the Draconis Arcanum booth, and I’ll be there all day helping out in the booth, from noon until 7pm. The booth should be located at the crossroads of Grove & Stanley.

Citation of Sources for Tables of Correspondence

I’m trying to put together a suggested reading list for people interested in learning more about oils. While I’m finding some good books to pass on, I’m also getting very frustrated with the enormous problem of authors choosing to completely omit the citation of their sources for the tables of correspondence that they use. Without any citations, the reader can’t really trust the book, in my mind. I can read over pages and pages of plant and oil attributions and the only thing in my mind is where the author came up with the correspondences – if they’re hermetic, Pagan, folkloric, tradition-specific, area-specific, or otherwise. Some of these correspondences I’ve never even heard of before – why should I trust this author? Answer to rhetorical question: I can’t trust the author, because at best they’re guilty of sloppy scholarship and attribution, and at worst, they’re just making things up.

In addition, most books on magical oils include recipes – mix this oil with that oil and add this third oil and you have a blend intended for a certain magical purpose. If I have absolutely no idea how the author came up with “X plant has the attributes of fertility, increase, and power,” I’m not going to have a whole lot of confidence in the recipes provided in the book. In fact, the book is going to be pretty much useless to me if the citations are left out.

As has been mentioned before, there’s loads of different tables of correspondence and each magician or witch must find what works for THEM, usually by trial and error. Maybe, like me, you use a mix of several different tables (witchcraft, hermetic, and hoodoo, if you’re curious) along with personal correspondences. Presumably, you keep a record of where you obtained the correspondence for that plant, even if it’s a little note that says if it’s Pagan or hoodoo or hedgewitchery or what have you. And if you don’t, well, it’s not all that important, if it doesn’t matter to you.

On the other hand…..someone writing a book on the topic is held, or should be held, to a higher standard. When an author draws up a table of correspondence, it’s probably a bit much to expect each attribution to be footnoted back to the source. I’d expect a note, at least, at the beginning of the book, informing the reader of the source for the correspondences – “plant attributions used from sources X, Y and Z.” Say some – or all – of the attributions are personal, obtained through trial and error, or divination, and not gleaned from any traditional table of correspondence. The reader should have that information, too.

One of the most recent books I read on the making of magical oils started out really strongly, with a great section on the actual physical process of mixing oils, timing oil creation with the lunar cycle, oil mix recipes for various purposes, and sample rituals that might be used with the created oils. The book concluded with appendices. The first was an alphabetical list of the plant or oil with it’s magical attributes, along with what planet the plant is “ruled by,” and what element the plant represents. There were even further appendices, breaking the list of plants down by attribute, by planet, by element – all really useful things, but without any indication whatsoever of where this information was obtained. I assume the reader was supposed to just trust that the author of the book knew what s/he was doing when s/he wrote the correspondences. The book, which had started out so promisingly, now wasn’t anything I could in good conscience recommend to anyone without a huge caveat, which means I probably won’t recommend the book at all.

Needless to say, I don’t blindly trust authors. Just because someone has the wherewithal to get a book published on oil-making or charm/spell creation doesn’t mean they necessarily know what they’re talking about. Don’t fall into the trap of believing that an author is an authority on a topic simply because they’ve had a book published on it. Even if it’s been published by a well-known publishing house, the odds of anyone fact-checking a table of magical correspondences are laughable. The fact that nearly anyone can now self-publish on sites like Lulu and e-publish for the Kindle and other e-readers means that “because the author said so” is even less of a valid reason to believe something – not that it ever was much of one.

Always know why you’re using the various ingredients you’ve chosen for your magical creation past “this book said to do it this way.” You are making this, not some pseudonymous author who wrote an ebook, or the person who copied and pasted a table off one website and into another. You are infusing this oil mix with your intent, your essence, and your power – this is magick. More importantly, this is your magick. Don’t let some random stranger tell you how to achieve what you’re setting out to do – know what you’re doing, and why, every step of the way.

P.S. I hadn’t actually intended for this to end up as a rant, but that’s what happened. I welcome discussion on the topic – you can contact me at questions[at]quadrivium-supplies[dot]com.

On Vacation…

Your friendly oilmaker is away from her oils until July 14th, so the soonest I can start shipping again is July 16th.

Another Interview!

A live show, this time – The Less Traveled Path on Pagans Tonight. You can access the show on iTunes here – it’s the 7/2/12 show of The Crystal Web and The Less Traveled Path, and my interview starts at 1:20 or so.

Interview

I got interviewed by Sparrow of The Wigglian Way and the interview is now up on their site – Wigglian Way Episode 102. I don’t sound like too much of an idiot, I hope.
Listen to the episode – and enter the giveaway, as I sent some great oils up to Canada for Sparrow and Mojo to provide to their listeners.

Oil Formula for Easing Teething Pain

This probably seems like it comes from completely out of the blue, but in addition to an oil company, I also have two children. Both of whom got teeth early, and both of whom had teething pain (it seemed) constantly for 12 months straight.
My babysitter also watches a little boy who’s getting his first teeth and suffering mightily through it. With the FDA now recommending that babies/toddlers NOT be given benzocaine, the active ingredient in topical medications like Baby Orajel, a lot of parents are looking for ways to ease the pain of teething. The little boy’s parents know I am an oil maker, and asked me to put something together that might offer their little guy some relief.

Pretty much anywhere you go online, you’ll see that clove oil will help with tooth pain. It’s pretty common knowledge, but when making a concoction to put on a baby’s sensitive gums, you don’t want to get the proportions wrong.
This mixture should have an extra-virgin olive oil base. Olive oil is thicker and more viscous than the usual carrier oil I recommend, sweet almond oil, so it tends to cling to the gums better. The recipe I use is:

  • 5 drop essential oil of clove
  • 20 drops of carrier oil

Normally I’ll make about 1/4oz at a time of this mixture and I don’t bother with a dropper top or dropper plug. You shake the bottle well, get some on your fingertip, and (carefully!) apply to sore gums. No real limit on the frequency of use, but common sense is key, as always.

The great thing about this is that while the clove oil mixture doesn’t provide instantaneous relief, it does help a good deal. And unlike benzocaine, it’s not going to result in choking on saliva, which is pretty scary (the topical anesthetic numbs the pain, but also can numb the back of the throat, resulting in choking). There’s also no risk for a condition called methemoglobinemia, a disorder in which the amount of oxygen carried through the blood stream is greatly reduced. Benzocaine has been linked to methemoglobinemia, which usually results in death, and most parents aren’t willing to take the risk just to numb a teething baby’s gums.